Written by Jon Williams
It’s been nearly six months since we’ve checked in with news on the upcoming Star Wars films. In that post, one of the items we speculated on was who would write the score for the new trilogy. This past weekend, at the Star Wars Celebration event held in Essen, Germany, that question was put to rest. Fans will be able to breathe easy with the news that John Williams, who has scored all six Star Wars films to this point, will return, at least for the first installment (Episode VII).
Williams,
81, is perhaps the best-known composer of classical music today, due primarily
to his work in film. He began his career as a Hollywood orchestrator and
musician under other composers. His first credit for a score he composed
himself was on 1960’s Because
They’re Young. He composed music for a number of television shows
throughout the ‘60s, including Lost
in Space and Land
of the Giants. He also continued to work on feature films, such as Valley
of the Dolls (1967) and Goodbye
Mr. Chips (1969), which earned him his first two Academy Award
nominations. He won his first Academy Award in 1971 with his score for Fiddler
on the Roof.
In 1974,
Williams scored The
Sugarland Express, the debut film of a young director named Steven
Spielberg. This would turn out to be a profitable partnership. The next year he
scored his second Academy Award for Spielberg’s second film, Jaws,
with its unmistakably ominous theme. Spielberg, of course, has gone on to a
career as one of the most successful directors in Hollywood history, and
Williams has scored all but two of his films. This includes such memorable
movies (and scores) as Close
Encounters of the Third Kind, the Indiana
Jones series, E.T.
the Extra-Terrestrial, Jurassic
Park, and Schindler’s
List.
This
collaboration paid off in other ways as well. It was Spielberg that recommended
Williams to George Lucas, who put him to work on the score for his space opera Star
Wars. Williams delivered with one of the most recognizable movie themes
of all time, and followed it up with the equally recognizable “Imperial March”
(Darth Vader’s theme) on the score for The
Empire Strikes Back. His work on the saga has been the high point of an
epic career. Indeed, it’s difficult to imagine a Star Wars film without his iconic sound; other Star Wars-related spinoffs (the Clone
Wars animated TV show and the Shadows
of the Empire project) have leaned heavily on Williams’s themes for
their music.
Williams has
won a total of five Academy Awards for his film scores, to go along with four
Golden Globes and 21 Grammy Awards. He is certainly best known for his work in
movies, but that is by no means the whole of his career. For a full selection
of titles composed or conducted by John Williams, SmartBrowse his name on our
website.
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